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Apple Introduces Final Cut Server
Final Cut Server
Apple on Sunday introduced Final Cut Server, a new server application designed to work seamlessly with Final Cut Studio 2 to provide media asset management and workflow automation for post production and broadcast professionals.
The scaleable server application supports workgroups of any size, and includes a cross-platform client that enables content browsing, review and approval from within a studio or over the Internet. The software automatically catalogs large collections of assets and enables searching across multiple volumes via a unique user interface. It was designed to manage the flow of work, as assets and projects move from producer to editor to artist through the entire production process.
“Final Cut Server’s powerful media asset management capabilities simplify managing the thousands of assets that make up a typical edit,” said Rob Schoeben, Apple’s vice president of Applications Product Marketing. “And Final Cut Server’s sophisticated workflow automation tools ensure projects flow smoothly through an organization, enabling everyone to be more productive.”
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Apple Store
Apple will ship Leopard in October
Leopard
CUPERTINO, Calif., April 12 Apple today released the following statement:
iPhone has already passed several of its required certification tests and is on schedule to ship in late June as planned. We can't wait until customers get their hands (and fingers) on it and experience what a revolutionary and magical product it is. However, iPhone contains the most
sophisticated software ever shipped on a mobile device, and finishing it on time has not come without a price -- we had to borrow some key software engineering and QA resources from our Mac O (R) X team, and as a result we will not be able to release Leopard at our Worldwide Developers Conference in early June as planned. While Leopard's features will be complete by then, we cannot deliver the quality release that we and our customers expect from us. We now plan to show our developers a near final version of Leopard at the conference, give them a beta copy to take home so they can do their final testing, and ship Leopard in October. We think it will be well worth the wait. Life often presents tradeoffs, and in this case we're sure we've made the right ones.



Apple Store
Apple Unveils Higher Quality DRM-Free Music
Apple Store
CUPERTINO, California—April 2, 2007—Apple® today announced that EMI Music’s entire digital catalog of music will be available for purchase DRM-free (without digital rights management) from the iTunes® Store (www.itunes.com) worldwide in May. DRM-free tracks from EMI will be offered at higher quality 256 kbps AAC encoding, resulting in audio quality indistinguishable from the original recording, for just $1.29 per song. In addition, iTunes customers will be able to easily upgrade their entire library of all previously purchased EMI content to the higher quality DRM-free versions for just 30 cents a song. iTunes will continue to offer its entire catalog, currently over five million songs, in the same versions as today—128 kbps AAC encoding with DRM—at the same price of 99 cents per song, alongside DRM-free higher quality versions when available.

“We are going to give iTunes customers a choice—the current versions of our songs for the same 99 cent price, or new DRM-free versions of the same songs with even higher audio quality and the security of interoperability for just 30 cents more,” said Steve Jobs, Apple’s CEO. “We think our customers are going to love this, and we expect to offer more than half of the songs on iTunes in DRM-free versions by the end of this year.”

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Viacom Strikes Google, YouTube with Lawsuit
youtube
Just about everyone who's been following the Viacom/Google-YouTube drama are aware of just how close a deal was to being cut. Earlier this year, the anticipation was that Viacom would soon begin distributing its work on Google's YouTube. Viacom is the parent of many popular TV networks, such as MTV, Comedy Central, VH1, and Spike TV. It doesn't take a stroke of genius to casually troll YouTube and find various programming from these networks.

However there are far fewer instances of what Viacom calls infringing material lately, as YouTube responded to an October demand to remove various Comedy Central clips. The heat was turned up in February, when Viacom once again demanded that YouTube remove over 100,000 video clips.

These demands punctuated throughout the Viacom/YouTube negotiation process. Seemingly frustrated at YouTube's progress, Viacom stunningly backed out of any possible distribution deal and instead opted to sign on with the lesser known "Joost."

"After months of ongoing discussions with YouTube and Google, it has become clear that YouTube is unwilling to come to a fair market agreement that would make Viacom content available to YouTube users," Viacom said in a statement. "Filtering tools promised repeatedly by YouTube and Google have not been put in place, and they continue to host and stream vast amounts of unauthorized video."

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Dell says all aboard for Linux PCs
Dell Logo
PC maker Dell has announced that it has commenced a program that will result in the sale and distribution of a range of computers with pre-installed Linux distributions instead of Microsoft Windows. Dell has indicated that Novell's Suse Linux will be first cab off the rank.
According to Dell, the company's decision to move forward has been a direct result from requests posted by users to its new interactive website Dell IdeaStorm, which was launched on February 16. Apparently Dell has received a plethora of requests from users for desktops and notebooks loaded with pre-installed Linux distributions and the open source alternative to Microsoft Office, OpenOffice.org.

Dell states that a problem for the company has been which Linux distribution to run with.

"As this community knows, there is no single customer preference for a distribution of Linux," Dell stated on IdeaStorm. "In the last week, the IdeaStorm community suggested more than half a dozen distributions. We don't want to pick one distribution and alienate users with a preference for another."

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Dell Home Systems
BitTorrent Entertainment Network
BitTorrent
Today marks a day of transition for BitTorrent, Inc. Although always on the map towards legitimate acceptance, the launch of the BitTorrent Entertainment Network is perhaps the most significant step forward since the company made amends with the movie industry in November of 2005. Since that time, BitTorrent, Inc. has been slowly building a massive catalog of free and pay content.

But things weren’t always that way for the BitTorrent protocol. When the ball first started rolling for Bram Cohen, the CEO of BitTorrent, Inc., the BitTorrent community had its fair share of growing pains. When BitTorrent was first released in late 2002, it was released in a P2P environment dominated by FastTrack (Kazaa) and eDonkey2000. However the BitTorrent protocol had a distinct advantage.

Around that time, broadband penetration in the United States was just beginning to pick up steam. With faster connections, the marvel of downloading at 5 kb/seconds lost its luster and instead the Internet community began demanding more speed and faster transfers. Along with that demand came ever-growing file sizes: 700 megabyte XviDs, 800 megabyte ISOs, and 4.4 gigabyte DVD-Rips. Although the largest P2P network at the time, FastTrack, did have the ability to share large files, it did so very poorly. FastTrack was designed to transfer small MP3 files, not large movie and program files.

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Case Closed
CompUSA to Close 100 Stores
CompUSA
Shoppers looking for new Macs will have fewer retail options now that it appears that CompUSA plans to close a significant number of its stores nation wide. The electronics retailer is undergoing a comprehensive restructuring led by its new CEO and president Roma Ross, according to Twice.

The changes to the company include phasing out several senior executives and closing some stores and regional offices around the United States. CompUSA isn't saying exactly how many stores will be shuttered, but The Consumerist claims an anonymous insider said that 100 of the 229 stores are on the list.
If so, that could translate into bad news for prospective Mac buyers that don't have an Apple Store or Authorized Apple Reseller in their area. Apple's "store within a store" deal with CompUSA has placed Apple employees in many of the retailer's locations offering an alternative location to get hands-on time with Macs and make purchases with the help of Apple-trained staff.
CompUSA executives are taking the restructuring path to help bring expenses back under control and to improve the company's position in relation to competitors like Best Buy, Circuit City, and Wal-Mart. There is no word on when store locations may start shutting down.


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Toshiba - Toshibadirect.com
To Steve Jobs and the Digital Entertainment Industry
Macrovision
I would like to start by thanking Steve Jobs for offering his provocative perspective on the role of digital rights management (DRM) in the electronic content marketplace and for bringing to the forefront an issue of great importance to both the industry and consumers. Macrovision has been in the content protection industry for more than 20 years, working closely with content owners of many types, including the major Hollywood studios, to help navigate the transition from physical to digital distribution. We have been involved with and have supported both prevention technologies and DRM that are on literally billions of copies of music, movies, games, software and other content forms, as well as hundreds of millions of devices across the world.
There are four key points that I would like to make in response to your letter.

• DRM is broader than just music –
While your thoughts are seemingly directed solely to the music industry, the fact is that DRM also has a broad impact across many different forms of content and across many media devices. Therefore, the discussion should not be limited to just music. It is critical that as all forms of content move from physical to electronic there is an opportunity for DRM to be an important enabler across all content, including movies, games and software, as well as music.

• DRM increases not decreases consumer value –
I believe that most piracy occurs because the technology available today has not yet been widely deployed to make DRM-protected legitimate content as easily accessible and convenient as unprotected illegitimate content is to consumers. The solution is to accelerate the deployment of convenient DRM-protected distribution channels—not to abandon them. Without a reasonable, consistent and transparent DRM we will only delay consumers in receiving premium content in the home, in the way they want it. For example, DRM is uniquely suitable for metering usage rights, so that consumers who don't want to own content, such as a movie, can "rent" it. Similarly, consumers who want to consume content on only a single device can pay less than those who want to use it across all of their entertainment areas – vacation homes, cars, different devices and remotely. Abandoning DRM now will unnecessarily doom all consumers to a "one size fits all" situation that will increase costs for many of them.

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Google e-mail out of beta
Gmail
SAN FRANCISCO - Google Inc.'s free e-mail service will shed the final remnants of its invitation-only restrictions Wednesday, extending the reach of an increasingly popular product that has emerged as a vital cog in the online search leader's expansion efforts.Invitations will no longer be required to join the nearly 3-year-old "Gmail" service in the United States, Canada, Mexico and a swath of Asian and South American countries where the Mountain View-based company previously limited the number of users.With those restrictions now lifted, Gmail will be open to all comers worldwide for the first time since Google unveiled the service on April Fool's Day in 2004.
"It's a pretty momentous time for Gmail," said Keith Coleman, Google's product manager for the service.

Although it will no longer require invitations to sign up, Gmail is retaining its "beta," or test, status, signaling that Google still considers the service to be a work in progress.
Making Gmail more widely available is important to Google because other key products like instant messaging and calendar management are tied into the e-mail service, company co-founder Sergey Brin said an interview. "It has become a real cornerstone for us."

Because Gmail users often remain logged into Google's Web site while they conduct online searches, the service also helps the company's engineers learn more about individual preferences — knowledge that can help deliver more relevant search results and foster more loyalty.

The decision to lift all invitation requirements on Gmail signals Google finally believes it has adequate computing capacity to accommodate the generous amount of free storage provided by the e-mail service after investing heavily in additional data centers. Gmail offers each account at least 2.8 gigabytes of storage — enough to fill about 1.4 million pages.


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Blu-ray outpaces HD DVD
Sony plans to declare Blu-ray winner in high-def format war

Blu-Ray Disc
Two movies on Blu-ray Disc were sold for every one sold on the HD DVD format during January, according to studio sources.
Blu-ray backers attributed the gains to the fact that more titles were released on Blu-ray than on HD DVD during the month and to quick consumer adoption of Sony’s Blu-ray-enabled PlayStation 3 videogame machine. More than 1 million U.S. homes now have Blu-ray players, including set-top boxes and PS3s.

“I think finally everything that we knew going into this format has started to happen,” said Sony Pictures Home Entertainment worldwide president David Bishop. “We have a critical mass of content, we have the biggest mass of consumer electronics companies in the world supporting this format. That has moved Blu-ray into the forefront.”

Sony is so confident that Bishop said the studio plans to begin marketing the format to consumers as the winner of the format war.

“The message that we’re going to put out to the consumer now is, now it is safe to make a choice,” he said. “No more fence-sitting is needed.”

In fact, HD DVD sales are continuing at a steady pace, they just haven’t grown as fast as Blu-ray.Twenty-five Blu-ray movies were released in January, compared to 11 titles on HD DVD.
Also, the top titles on Blu-ray outsold those on HD DVD during the first three weeks of January. Lionsgate’s
Crank sold 7,500 units on Blu-ray, compared to HD DVD’s top seller for the period, Warner Home Video’s Batman Begins, which sold through 4,100 units, according to studio sources.

However, it’s hard to get an even comparison as not all movies are available on both formats.
Crank was a new release and wasn’t available on HD DVD, and Batman Begins has been available on HD DVD since November.

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Yahoo Music, SanDisk chiefs urge labels to 'ditch DRM'
The boss of Yahoo Music says that MP3 tracks sell much better than DRM-laden music

Yahoo
A senior Yahoo chief has spoken out in favour of Apple CEO Steve Jobs' call for major labels to abandon digital rights technology (DRM).
Dave Goldberg, head of Yahoo Music, says that tracks sold through his service in MP3 format sell much faster than rights-protected tunes.

Silicon Valley Watcher reports that Goldberg believes DRM is confusing for consumers, also that the company has experimented by making music available free of DRM, and tracks sold in this way see more sales.

Goldberg is also heavily critical of the DRM system Microsoft licenses for a fee, saying it "doesn't work half the time".

The Yahoo boss believes that removing DRM would provide a boost to interoperability and widen the range of music services and devices available to consumers.

The Yahoo chief's thoughts were echoed by SanDisk founder and CEO Eli Harari, who wrote: "Proprietary systems aren’t acceptable to consumers. In recent months, there has been a rising chorus of complaints in Europe about the anti-competitive nature of closed formats that tie music purchased from one company to that company’s devices, and tie that company’s devices to its music service."

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Pirates of the Multiplex
Under U.S. pressure, Swedish authorities are going after the popular Pirate Bay Web site for illegal distribution of video files. But if Hollywood wants to stop online pirates—who cost the industry some $7 billion in 2005—it needs to join them, not beat them.

PB
I was a reluctant convert, to say the least. When I got the call from my old friend Richard back in late 2005, he sounded far too enthusiastic about the latest Internet gimmick that was going to "change my life." Richard, you see, is prone to great enthusiasms, and I was not particularly disposed to listen to his ravings about some Web site called UKNova, which supposedly let him download all kinds of amazing British TV shows completely free of charge.

I relented and signed up for UKNova membership. The site functions as a "torrent tracker," a skeletal database that allows users to locate and share digital files with other users. Unlike some previous peer-to-peer content-sharing programs, the files are not located on a Web site or taken from any single source; they're shared among members in the form of tiny digital fragments that are eventually reconstituted, like a completed jigsaw puzzle, as a single file on your desktop. The operation—which incidentally makes it difficult to sue members of a site like UKNova—is enabled by an ingenious little software application called BitTorrent, a paradigmatic advance in file sharing that has engendered many variants since its 2002 advent.

Loath as I am to admit it, UKNova did change my life—at least as far as my viewing habits are concerned. After downloading free BitTorrent software, I could use UKNova to procure—slowly at first—television shows that would have hitherto obliged me to beg British friends and relatives to record them for me on VHS (remember tapes?) and send via airmail. The unalloyed thrill of watching all this downloaded Brit-TV stuff easily outweighed the nagging shame of staring at a computer screen for hours on end.

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Interview with muslix64, Developer of BackupHDDVD
HDDVD
The next generation of optical disc technology holds the promise to change the way we interact with and store digital media. Perhaps the most exciting change is the arrival of High Definition (HD) video, with its glorious 1920x1080 pixel resolution. It’s a quantum leap forward in terms of watching digital content, as its vast resolution reveals a quality never seen before in such fine detail.

Blu-Ray Disc
Because of the rapid escalation of digital file-sharing – especially of video files – Hollywood has been working around the clock to protect HD content. This is especially relevant for one of its primary delivery mechanisms – HD DVD and Blu-ray discs. These next generation discs, with capacities of 30 gigabytes and 50 gigabytes respectively, have their content protected with an array of DRM (Digital Rights Management.) Both are protected with a scheme called AACS, or Advanced Access Content System. This DRM is a great leap forward compared to the weak CSS, or Content Scrambling System, that currently “protects” DVDs. Thanks to Fox, Blu-ray has an additional layer of protection, called BD+, however most discs have yet to support this protection.

Although Hollywood has constructed enough DRM architecture to rival the Pyramid of Giza, it has long been suspected that it would be only a matter of time before HD DVD and Blu-ray content protection were compromised. Convinced the golden DRM egg had been laid, it seemed that nothing could penetrate the great AACS wall. And to this day, that great wall still stands.

But why crash through the main gates of Constantinople when you can just pick the lock of a long forgotten rear entrance?

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AACS Attack: a Clear and Present Danger to DRM
The overwhelmingly successful attack against HD DVD and Blu-ray represents several well-entrenched facets of the online community. Perhaps most important is the inherent cooperation that manifests itself against a seemingly common enemy - DRM (Digital Rights Management.) Attached to this cooperation are the vast resources of the online community: primarily its virtually unlimited supply of talent, intellect, and most importantly, its rapid response to a commonly perceived threat.

It therefore comes as little surprise that muslix64's exploit of AACS, an attack that merely involves circumventing the copy-protection mechanism, has been downplayed extensively. According to AACS spokesman Michael Ayers, because of the current technology requirements necessary to obtain, download, and play an exploited high definition movie, the threat is currently limited in nature.

"The large size of the files and the high cost of writable hi-def discs make large-scale copying of high-definition DVDs impractical, but the attacks on the new format echo the early days of illegal trafficking in music files," Ayers said on Thursday.

“Impractical” is a strong word to describe the motivation of the file-sharing community. On AACS'
homepage, which interestingly enough is splashed with a logo that reads "Share the vision", the attack is further downplayed in a statement released yesterday.

"AACS LA has confirmed that AACS Title Keys have appeared on public web sites without authorization. Such unauthorized disclosures indicate an attack on one or more players sold by AACS licensees. This development is limited to the compromise of specific implementations, and does not represent an attack on the AACS system itself, nor is it exclusive to any particular format."

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